.:. Red Pearl Movie NEWS .:.

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So Red Pearl, you know the indelible indie feature film I acted in and did the costume design for this past summer, well the rough cut has been sent into the SXSW Tribeca Film Festivals for review! Fingers crossed it makes it into either or both of these awesome festivals! EEEEEK!

<—Here is the postcard image the directors sent out to the Kickstarter funders.

The film is currently picture locked and awaiting it’s finishing touches, such as the sound lock, amazing custom score from my friend and fellow Syracuse University graduate, Steve Woodzell, whose work is really exciting and so having him onboard is an extraordinary thing ;D The film should be finished by summer 2015 at the latest. In the meantime, please check out the website and here are some stillz.

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 AND THE OFFICIAL TRAILER!!!!!

Costume Design for YouTube Webseries Malcontent’s Lab!

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Hey y’all,

A few months ago, I was commissioned to create an original design for a new webseries. I designed,  created a pattern for, and constructed a custom steampunk-inspired lab coat for the titular character in the new YouTube series, Malcontent’s Lab for actress Alana Jackler this past summer. Designs were bounced around and around, playing with elements of the late 1800’s, as well as Futurist aspects. Over the course of about 5 weeks I designed, constructed, and finished this giant job and you can see the process below… Malcontent’s Lab is one of the many shows on the YouTube channel, ScifiRiot.

 

Alana Jackler in Malcontents Lab

Alana Jackler in Malcontents Lab

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The coat took approximately 22 hours and the process included preliminary sketches, merging sketches and then a final sketch was approved.

My sketches for the coat

My sketches for the coat

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So the sketch on the bottom left was the one picked, yet I would include a purple tulle underskirt to soften the hardness of the coat and also to convey a little fantasy in the character.

2. The next step was drafting the pattern! I did a simple bodice design with a full circle skirt and then chopped one side of the front bodice and enlongated the other. This would give that asymmetrical center front and create the palette for those leather straps and buckles you can see in the drawing.

3. Construction/sewing!

The pinned bodice pieces

The pinned bodice pieces

The bodice with the open skirt pinned

The bodice with the open skirt pinned

THE FINISHED PRODUCT!

THE FINISHED PRODUCT!

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The finished product :o)

The finished product :o)

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A LAST MINUTE ADDITION: a little M emblem, she beckons the idea of a superhero for herself

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;O)

Making Old Good // Decorating @ Home

About six weeks ago my boyfriend and I took up residence in a 122 year old Downtown Jersey City apartment, relocating from Brooklyn after ten years for him and seven for me. It was a big and well-needed shift and we love it. Despite the fact that our building has survived several wars, yes, It’s a trendy Pre-pre-pre-pre War… (It’s been around since before the Spanish -American War), it has needed some TLC, which I love doing.

After moving in, I couldn’t wait to do research on the building and found that it had been a saloon in 1900, owned by a German named Gustav; and our landlord told us that it went on to become a boardinghouse….. Not to start the idea train, but I am thinking saloon+boardinghouse = whorehouse!

Photo: IFC Films // House of Pleasures

Back to renovations….The hugest undertaking to date has been the re-modeling of a pantry closet off the kitchen. Flaking paint, rounded walls, poor workmanship to seal off what used to have been a shared bathroom complete with ancient flooring kept past tenants from using this large walk-in pantry off the kitchen, yet without much storage in the entire apartment, we found it necessary to bring the space to utilization, we had to fix it. I, being a Bob Vila/Norm Abram fan since I was around nine years old, with parents who fix everything, dove into this/these projects.

I bought paneling, paint, and with a lot of sweat c/o a handsaw, I managed to cover the possibly lead-inflicted surfaces with the white paneling and also painted the existing bead-board a lovely light blue. Lastly, I brought in inexpensive black and white tile laminate flooring, which transformed the space to a whole new look. It’s a lot better. We still are in disbelief that no other tenant had touched some of the antiqued space since the ’60s.

More to come. ;o)

Law & Order SVU!

I have been hired for a second season as a real sketch artist on Law & Order SVU. I also worked in 2011 and had a great time on the episode, Scorched Earth, the Season 13 premier. I’m back for Season 15.

Here’re a couple of drawings I did for season 13:

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I’m so fortunate that I can couple my BFA in Painting with my acting love. Here’s to more of this!

Happy (belated) Valentines day !

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HAPPY HOLIDAYS from 1969

I haven’t blogged in like months. Wow. Well, the holidays came and went and for the second year in a row, my family, bo and I visited the Bethel Woods Center, the museum and venue which now stands on the site of Woodstock in 1969.

It is a religious experience for my parents and for me in that you can feel the essence of those times still thumping and pumping through the veins in the earth there. The museum is gorgeous and well-done and included hundreds of quotes, artifacts, full-size period vehicles decked out in great flower power paint jobs and lots and lots of clips and films showcasing a lot of the concert. Two rooms have at least 18 ft. screens showing footage and actual performances. My favorite, Joe Cocker, the tie-dyed Brit with his blue leather starred beatle boots opens the film show, as I laugh continually at his idiomatic mannerisms and gestures when performing. As a young person, I became enamored with the music and styles of the 1960’s thanks to a pair of hippie parents equally enamored. Spouting every word when tapes and records were on, the second concert of my life was The Monkees at ten or eleven.

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I only wish that my generation and the one younger could react to the current climate in some way similar to that of the Sixties and Seventies. The music, art, literature, and ideologies that emerged from the time of Woodstock brought forth a fervent youth so potent, that change actually came about. These days technology is shielding us from each other and ourselves. We have grown into a “me” culture, hellbent on satisfying our own needs, mostly shallow and selfish. Technology is simultaneously bringing us together and pushing us far far apart. We have lost touch with spirit, sensation, honesty, purity, and singlemindedness in communication. Things claiming they want to bring us together are more so hoping we buy the products advertised in the same places we hope to share time. Life has lost it’s beauty, it’s simplicity, it’s depth, and it’s emotion. I only wish I didn’t have a phone glued to my side all day. I only wish people still called one another and spent time without looking at work emails. We used to connect so much harder and stronger without all of this stuff clogging the airwaves and our brains. Music wasn’t only about creating a complicated algorithm to sell a record in the Sixties. Many many many musicians expelled tunes that were directly in line to their political and social beliefs and dreams. Music was made to create peace, understanding, comradery, hope, anger, outrage. It wasn’t even made, it was often an artistic outlet or even almost regurgitation of feeling. It was pure emotion more oft than not with Richie Havens improvising “freedom” while onstage at Woodstock, a direct anthem for black America and youth in general. Jim Morrison sang of shamanism and death, exposing his need for escapism in music and in life. Janis Joplin’s lyrics might have been simpler, but her raging screams brought light to a fighting angry soul within. Simon and Garfunkel’s peaceful lullabies told us tales of proposed quiet and rest, narratives of the marijuana culture that so desperately searched for life to be a lovely journey. Music was an escape, a newspaper headline, a beating heart trying to get yours to beat along, a lullaby for political sleep, a draft-dodging credo, enlightenment, it was electric and transitory and completely changed what it had been before. There were top 40 songs and there were the DJ’s who gave others a chance, seeing merit in something other than money. Live concerts, like today were experiences together, feelings had in tandem. With hands linked, arms outstretched to the sun, voices raised, and fervor brewing, the children of the 1960’s rocked our world. Why can’t we do that again?