OK, it’s freak out time. Just six days left to raise $1350 of our goal for our film on Kickstarter. People have already so generously donated $4650 and if we don’t meet the rest, we get none of it! PLEASE HELP! It’s going to be an awesome movie and $25 gets you a credit in the film. We have been working so hard. Check out the latest costume I finished just yesterday. https://www.kickstarter.com/projects/1297000993/red-pearl
So, some major news in my several month lull here on my good ole blog. I was cast as the lead in an independent feature film shooting this summer out West. Not only am I acting in this film, as a fashion designer starting her life post-college, I am also the costume designer (think Tim Burton-cum-Wes Anderson-cum- Eternal Sunshine of the Spotless Mind! This is the gelling of all of my work in fashion and acting over the last ten years and I couldn’t be more ecstatic and ready to put in my A-game. Shooting starts in one month and we are seeking KICKSTARTER donations to get this underway. The film, entitled, Red Pearl, was written by two fantastic award-winning filmmakers & screenwriters over the last two years. You can read more about the project below and if you feel so inclined, please donate ! There are fifteen days left of our Kickstarter campaign.
R E D P E A R L
A young fashion designer starting her first job in a new city finds herself uninspired and involved with unwanted drama.
Red Pearl is a feature film written and directed by award-winning filmmakers starring Desira Pesta.
Production Update!! We’ve got Mondo! Project Runway’s Denver native, Mondo Guerra,will be making a cameo appearance in our film. Thanks to Mondo and Remy for your time and support!
About the Movie
Red Pearl tells the story of an aspiring young fashion designer starting her first job in a new city. Struggling to find her place in the world, she becomes involved with unwanted drama and ends up lonely and uninspired. The dramatic comedy has a little bit of everything: fashion, art, romance, jealousy, quirky roadside attractions, and even a bar fight!
Let’s set the scene….
Arriving in Denver is young Scarlet, fresh out of fashion school in fabulous Columbus, aspiring to be a successful couture designer. Her confidence is high: she is wide-eyed and prepared for independence in the post-college stage of life. Ready to make her big dreams come true, she takes her first job designing costumes for the world-renowned Central City Opera, a mountain-town establishment nestled between old-west culture and history, and modern-day slot machines.
Almost immediately Scarlet finds herself immersed in difficult situations where she must decide how to handle the cold, demanding scene shop boss and her snickering, judgmental co-workers. She must choose whether or not to reciprocate a mutual attraction with her neighbor: the gorgeous- but married- Carlos.
While navigating the drama of work and sex, she seeks comfort in her aspiring musician friend Julian and her cynical-but-lovable landlord Dorian. Just when Scarlet is feeling better about the possibilities of her future in this new place, she finds herself shamed by those around her. Spiraling into despair, Scarlet must decide how she will confront disappointment, rejection, and morality-questioning debacles as she seeks to reconfigure her sense of identity.
Jess McGaugh and Stacy Barton have been friends since 2005 when they became roommates during grad school at Syracuse University in New York. We began collaborating immediately on projects while sharing an editing studio in our house off Westcott Street. The snowy winters allowed for an immersion into filmmaking, and it was only a matter of time before we would venture into the world of narrative features. Working together training tomorrow’s filmmakers, we began writing Red Pearl, deeply inspired by the city and mountains surrounding us from our 8th floor, shared downtown office at CU Denver.
Pre-production started earlier this year and we are shooting the film this June 2014. Distribution and exhibition plans for the project include film festivals, DVD sales, Internet streaming, and VOD markets.
Desira Pesta is an East Coast-bred visual and performance artist & writer who was raised by two bikers in the woods of Scranton, Pennsylvania. She started acting and writing as a child, finding she preferred perfecting Southern characters, dressing as a male, or taking on the role of an orphan witch in home videos & recordings she created in lieu of “normal” teenager activities.
Desira received a BFA in Fine Art from Syracuse University with a minor in Interior Architecture. After college, Desira moved to NYC and as a self-taught seamstress, she started working as an independent fashion designer, finally producing a small ready-to-wear line she sold throughout the US, Australia, the U.K. & Japan from 2005 to present. Ever a performer, the screen beckoned her back and with tremendous good luck and hard work, she was invited to join The Screen Actors Guild in 2009.
As a fashion & costume designer, Desira’s clothing company, started in 2004, has become a favorite amongst indie lovers and Desira was one of the final 25 possible contestants for Project Runway Seasons 7 & 8. With a natural knack for all things creative, she has lived an alternative lifestyle, supporting herself solely through creative hands-on endeavors & projects.
Why are we making this movie?
As adventurers ourselves, we closely identify with our lead character Scarlet who is exploring the difficulties of following big dreams. Both of us, as filmmakers and educators, have picked up and moved to brand new cities multiple times throughout our lives in search of our individual paths to success. The overwhelming process of immersing oneself into an unfamiliar environment with no friends or family to fall back on is a life-forming experience like no other. We want to visualize the struggle of a young woman on her quest of learning who she is and what she is capable of in a difficult environment.
Since the fates have brought us, the filmmakers, together once again professionally in such a comforting and positive way, we decided to collaborate to tell a story that takes some of our own lived dramas and puts them on the big screen (with other dramatic, fictional embellishments of course! After all, this is the movies!)
As now residents of Denver, Colorado, we love our city. We also love art and fashion. We are proud of the Denver fashion stars and potential for growth that is coming into its own here, and we feel the up-and-coming fashion scene in Denver is notable and worthy of featuring and promoting in our movie. In Red Pearl, we are collaborating with some up-and-coming local designers as well as established, local fashion publications and entities.
What will the money be used for?
Feature filmmaking is very expensive. We are planning to work with a very low budget while maintaining high production value. Will $6K cover our entire budget? Heck to the NO. We’d love to raise more, much more, but $6K will get us moving forward as we continue to fundraise and get closer to production. Here is how we will be spending the money more specifically:
$1,500 SAG/AFTRA Actor Fee
$500 Travel funds for Lead SAG/AFTRA Actor
$1,200 Additional primary cast Actor Fees
$800 Production Insurance
$1,000 Production Audio Recordist/Engineer
$1,000 Lens’, Dolly Track, Car Mount Rental
Kickstarter Total $6,000
Additional costs included in our production budget but not within our immediate Kickstarter goal:
And this doesn’t even including our post-production budgetary needs!
Other Ways to Support the Film
If you are unable or unwilling to give cash, and want to help see the film go further, there is plenty you can do to support Red Pearl. We need to feed the crew for over 2 weeks, so in-kind donations of food would be helpful, either in the form of paying for or providing local catering, or through gift cards from Costco, Target, Wal-Mart, etc. We are also in search of donations including sewing busts, fabric, and event chairs and risers, just to name a few. Additionally, we are in need of the temporary use of 2 custom cars: an old, beaten-up pick-up truck, and a work-in-progress, classic, detailed convertible.
Another way you can support Red Pearl is to host a screening of the film in your community. We want the world to see our movie!
Thank you so much for your interest and support in our project, Red Pearl. You are giving us an opportunity to follow our dreams and to advance us to the next important stage in our filmmaking careers!
Jess and Stacy
Risks and challenges
Risks and challenges associated with this film are standard for every production since the beginning of cinema. Some of these production risks include bad weather, equipment malfunction, actor absence, computer software glitches, and location audio problems.
For those of you who have film experience, you already know that things happen that are out of your control. However, being prepared with a backup plan will help in operating a smooth film set while crafting excellent images, sound and performances.
We have a back-up plan, and a back-up for our back-up.
About six weeks ago my boyfriend and I took up residence in a 122 year old Downtown Jersey City apartment, relocating from Brooklyn after ten years for him and seven for me. It was a big and well-needed shift and we love it. Despite the fact that our building has survived several wars, yes, It’s a trendy Pre-pre-pre-pre War… (It’s been around since before the Spanish -American War), it has needed some TLC, which I love doing.
After moving in, I couldn’t wait to do research on the building and found that it had been a saloon in 1900, owned by a German named Gustav; and our landlord told us that it went on to become a boardinghouse….. Not to start the idea train, but I am thinking saloon+boardinghouse = whorehouse!
Photo: IFC Films // House of Pleasures
Back to renovations….The hugest undertaking to date has been the re-modeling of a pantry closet off the kitchen. Flaking paint, rounded walls, poor workmanship to seal off what used to have been a shared bathroom complete with ancient flooring kept past tenants from using this large walk-in pantry off the kitchen, yet without much storage in the entire apartment, we found it necessary to bring the space to utilization, we had to fix it. I, being a Bob Vila/Norm Abram fan since I was around nine years old, with parents who fix everything, dove into this/these projects.
I bought paneling, paint, and with a lot of sweat c/o a handsaw, I managed to cover the possibly lead-inflicted surfaces with the white paneling and also painted the existing bead-board a lovely light blue. Lastly, I brought in inexpensive black and white tile laminate flooring, which transformed the space to a whole new look. It’s a lot better. We still are in disbelief that no other tenant had touched some of the antiqued space since the ’60s.
In lieu of buying a small area rug, I decided to start crocheting one out of fabric scraps to prevent my hands from being idle while I watched The X-Files. It’s a little ugly, but it’s fun to make. ;o)
I bought these Talbot’s pants at a thrift shop a few months ago because I liked their odd fabric and thought I could turn them into something better. They sat in my drawer for a while until this morning,when I decided to give them new life. They fit poorly, wide in the hips and crotch; and then tapered into a strange high-water. The bottom hem was a solid 1.25″, so I dropped that and also took the pants in about 2″ on each side overall. I meticulously pinned and sewed and re-pinned and sewed again to achieve a skinny pants look. The original fit was again, odd, so it took a lot of tweaking before I got them right. I am happy with the results and look forward to doing more of my pants. :o) They went from a size 10 to about a 6.
Call it winter blues, call it writer’s block, I have been been working less in the last month after the holidays than usual. These moments of less activity kind of bum me out, but I think I am winding down from a crazypants year of hyper-activity! I have to remind myself what I have done because whenever I am feeling “lazy”, I mull over my past projects in my mind and go, “Oh!, right, I did that.”
That refers to my being cast as Ann Marie, Ashley Greene’s rival in the ABC pilot, Americana, using my own designs to portray a fashion designer. The pilot was sadly not picked up, but this was my first opportunity to be able to showcase my two loves, fashion and acting.
On Americana with my designs!
That refers to my first theater production with my old theater company, Homebrewed, back in April-May, which I served as stage manager & actor in.
That also refers to the completion of & performance of my first full length play, Crystal Atlas, at the end of May
That also refers to the completion of a one-act play, Yess, Texas, which I also made 9 costumes for (my Spring 2013 Collection) and performed with my new theater company as part of Williamsburg Fashion Weekend.
That also refers to the wood-nymph photoshoot I held with one of my best friends of said collection in the woods where I grew up.
That would also refer to the fact that I got cast as a featured wife of a warlord in one of my favorite director’s, Darren Aronofsky’s, newest film, Noah. I got to be a part of the amazing experience of this biblical times feature complete with mud, rain, and amazing sets galore.
So I have been involved with the great company Burdastyle since 2007, working for them & with them and am so proud of how huge the site has become. Check it out, if you haven’t already. Nora Abousteit, (one of the co-founders of Burdastyle, a woman of all trades, author, founder….), just c0-launched her newest creation, Kollabora . Propelling the DIY movement to a whole other level along with those who have also fostered it (Etsy, Threadbanger, etc.), wooooooo
“Kollabora is a social platform for DIYers, consisting of a craft supply marketplace and multiple maker communities linking to projects, supplies, and how-tos. Kollabora soft-launched sewing, knitting, and jewelry making communities with fashion-forward projects, and plan to expand into many more DIY communities, including home decor.”
They graciously send me a beautifully packaged and wrapped “Sewing Kit”, which came complete with a paper pattern in a variety of sizes, some fabric yardage, and a booklet of instructions.
They sent me some beautiful black and white dot cotton/silk blend fabric from Mood Fabrics. There wasn’t enough fabric to do the front and back in the dotted print, so I brought out some red raw silk and made the back and bias tape with it, respectively. I also used some black woven silk for the little bitty pocket and decided to do a lined pocket verses the suggested simple layer hemmed pocket.
The pattern was super easy to use and the instructions were super easy to follow. I went with the Large size because I am 5’10” and it fits pretty well! There was also an option to do a dress or tunic version, which I will try next time. I think this is a great pattern for a nightgown! I will make hundreds.
WHAT I LIKED:
**The inclusion of french seams, versus a regular seam. French seams are very strong and I am happy that users can learn how to do them because they are rather easy. They are not only for more advanced garments either!
** Photos in the sewing guide, which are great for those who are visual learners
**nice thick pattern paper, great for re-use (tissue really falls apart after a while)
**It’s a fast project! If you’re an advanced seamstress, you can really whip this out fast and who doesn’t love that! If you are a beginner, you should have no trouble finishing this in a day.
** The wonderful thoughtful packaging
**How easy it was to upload photos to this site!
So, my top is a little 101 Dalmations or “What’s black and white and red all over?”, but I love b&w and red! Silk city, baby!